{"id":13,"date":"2021-05-06T02:23:20","date_gmt":"2021-05-06T02:23:20","guid":{"rendered":"https:\/\/gilbertpoissant.com\/?page_id=13"},"modified":"2026-01-07T15:38:56","modified_gmt":"2026-01-07T15:38:56","slug":"a-propos","status":"publish","type":"page","link":"https:\/\/gilbertpoissant.com\/en\/a-propos\/","title":{"rendered":"About"},"content":{"rendered":"<p>Gilbert Poissant is the recipient of the first career grant in fine crafts from the Conseil des arts et des lettres du Qu\u00e9bec. One of his works is permanently displayed in the decorative arts gallery of the Mus\u00e9e national des beaux-arts du Qu\u00e9bec, and his works are found in the collections of major national museums.<\/p>\n\n\n\n<p>Trained as a ceramist, Gilbert Poissant gradually expanded into other technical and aesthetic spheres. This multi-disciplinary artist has created murals, installations and sculptures, employing various materials, such as wood, paper and found objects, as well as digital processes. Renowned for his contribution to public art, Gilbert has produced more than 40 commissions of Public Art.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"biographie\">Biography<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"110\" height=\"150\" src=\"https:\/\/gilbertpoissant.com\/wp-content\/uploads\/2021\/05\/GilbertPoissant-bonne.png\" alt=\"\" class=\"wp-image-87\"\/><figcaption class=\"wp-element-caption\">Photo : Marie-Laure Leclerc<\/figcaption><\/figure>\n\n\n\n<p>Born in Iberville, Quebec, in 1952, Gilbert Poissant lives and works on the slopes of Mont Saint-Hilaire, in the vicinity of Montreal. His work has been shown in Quebec, in Canada, and Born in Iberville, Quebec, in 1952, Gilbert Poissant lives and works on the slopes of Mont Saint-Hilaire, in the vicinity of Montreal. His work has been shown in Quebec, in Canada, and abroad. A ceramist by training, he has spent his professional life exploring all aspects of the discipline, placing it fully in the universe of contemporary art. He is recognized for his contributions to public art, having produced around forty commissions, which are closely tied to his personal artistic production, as evinced in gallery, artist-centre, and museum exhibitions. From the start, he has put every effort into broadening the scope and depth of his investigations.<\/p>\n\n\n\n<p>In 1999, Poissant won a national competition for the realization of a work to adorn Quebec City\u2019s \u00c9cole nationale d\u2019administration publique. His many murals produced since 1988 include the Outremont Metro station, the murals of L\u2019H\u00f4tel-Dieu de L\u00e9vis, the Lakeshore General Hospital, and those of the department of veterinary science at Universit\u00e9 de Montr\u00e9al in Saint-Hyacinthe. His work is part of many public and private collections, including those of the Canadian Clay &amp; Glass Gallery in Waterloo, Ontario, the Mus\u00e9e national des beaux-arts du Qu\u00e9bec, and the Mus\u00e9e d\u2019art contemporain de Montr\u00e9al.<\/p>\n\n\n\n<p>Among the key exhibitions strewn throughout Poissant\u2019s 40-year career, one might mention C\u00e9ramique et architecture, as guest artist at the 6th Biennale nationale de c\u00e9ramique de Trois-Rivi\u00e8res, in 1994, Jardin de tessons, at the Mus\u00e9e de la Ville de Lachine in 1995, 5 fois 2 temps, at Centre Expression de Saint-Hyacinthe and several other exhibition centres in Quebec in 1997, and Arr\u00eat sur espace, presented at Plein Sud and the Mus\u00e9e des beaux-arts de Mont-Saint-Hilaire in 2001. Intimate Architecture transposed was shown at the Mackenzie Art Gallery in Regina, Saskatchewan, and at the Surrey Art Gallery in Surrey, Brisish-Columbia in 2007. In 2008, he created an impressive installation at Circa made up of more than 600 wood objects collected over several decades, Le jeu du collectionneur.<\/p>\n\n\n\n<p>In 2007, Gilbert Poissant was invited to participate in the international symposium, Barro de America, in Venezuela, and in 2007 he creates a permanent work on location, at the FuLe International Ceramic Art Museums (FLICAM), in Fuping, China. He was made a member of the Royal Canadian Academy of Arts in 2003.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"demarche-artistique\">Artistic Statement<\/h2>\n\n\n\n<p class=\"translation-block\">In a world enthralled with the virtual, which he strives constantly to turn to his creative purposes, Gilbert Poissant has an abiding and profound attachment for materials, which he considers a pledge of authenticity and a grounding in the reality of things. First a ceramist, he gradually transformed his work, grafting other technical and aesthetic practices onto it, while exploring all the possibilities of the medium: the clay itself, hand-made porcelain and earthenware, thermoforming, and computer-assisted cutting of industrial ceramics. His practice extends to other materials, like stone, wood and found objects, as well as to digital printing on paper.<\/p>\n\n\n\n<p class=\"translation-block\">From the point of view of content, Poissant is concerned with the passage of time and with its various representations and measurements, from sun dial and water drop to lunar cycles and the growth of a tree. He thus builds a new, efficient, yet elegant and polysemic formal vocabulary. Aptly described by the artist as \u201cpoetic pictographs,\u201d these images are nevertheless imbued with sensuality. Throughout his work, architecture remains an important source of inspiration, lending structure to its spatial poetics.<\/p>\n\n\n\n<p class=\"translation-block\">In 2016, Gilbert Poissant undertook a new body of paper works entitled Mon atlas. This cycle is made up of collages and a large-format installation that he describes as a self-portrait. These works on paper are all based on a geographical map of the places he lives in Quebec and Nova Scotia and illustrate his interest in architecture and geography, his attachment to the territory, its beauty and its fragility.<\/p>\n\n\n\n<p>The works of this versatile artist resonate with one another: the reflection initiated by one piece extends into another, and the subject matter intertwines with the poetry of color and surfaces. The tableware, objects, and murals engage the eye and the sense of touch; the wood sculptures set the body in motion and trigger an analytical sense of space; and the public artworks place the message on the scale of the wall or monument, as appropriate. A common thread links all the works, a coherence in the development of the theme within and upon time.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"publications\">Publications<\/h2>\n\n\n\n<p>Beaudet, Pascale, Gogarty, Amy, Hakim, Mona, GILBERT POISSANT, Monographie, Plein sud \u00c9dition, 2016, 276 p.<\/p>\n\n\n\n<p>Beaudet, Pascale.&nbsp;<em>Gilbert Poissant. Le jeu du collectionneur<\/em>, Qu\u00e9bec\u2009: Centre materia, 2010, 63 p.<\/p>\n\n\n\n<p>Beaudet, Pascale.&nbsp;<em>Gilbert Poissant, arr\u00eats sur espace<\/em>, Longueuil\u2009: Plein sud, centre d\u2019exposition en art actuel \u00e0 Longueuil et Mont-Saint-Hilaire\u2009: Mus\u00e9e d\u2019art de Mont-Saint-Hilaire, 2001, 48 p.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"curriculum-vitae\">Curriculum vitae<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Solo exhibitions<\/h3>\n\n\n\n<p>2025<br><em>Gilbert Poissant, un parcours en art public<\/em> \/ Mus\u00e9e des M\u00e9tiers d\u2019art du Qu\u00e9bec, Montr\u00e9al, Qu\u00e9bec<\/p>\n\n\n\n<p>2021&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>Atelier de Mont-Saint-Hilaire, Mont Saint-Hilaire, Qu\u00e9bec, <em>Mon atlas<\/em><\/p>\n\n\n\n<p class=\"translation-block\">2016<br><em>The object and the territory \/<\/em> Plein sud, centre d\u2019exposition en art actuel, Longueuil (Qu\u00e9bec), Canada and EXPRESSION, Centre d\u2019exposition de Saint-Hyacinthe, Saint-Hyacinthe (Qu\u00e9bec), Canada [two-part exhibition presented simultaneously; guest curator\u2009: Mona Hakim]<\/p>\n\n\n\n<p>2010&nbsp;<br><em>Le Jeu du collectionneur \/&nbsp;<\/em>Materia, Qu\u00e9bec, Qu\u00e9bec<\/p>\n\n\n\n<p>2009&nbsp;<br><em>Variations on disks, spirals &amp; xuanjis \/&nbsp;<\/em>Canadian Clay and Glass Gallery, Waterloo, Ontario<br><em>Le Jeu du collectionneur \/&nbsp;<\/em>Maison de la Culture C\u00f4te-des-Neiges, Montr\u00e9al, Qu\u00e9bec<\/p>\n\n\n\n<p>2008&nbsp;<br><em>Le Jeu du collectionneur \/&nbsp;<\/em>Centre d&rsquo;exposition Circa, Montr\u00e9al, Qu\u00e9bec<\/p>\n\n\n\n<p>2001&nbsp;<br><em>Arr\u00eats sur espace, Volet 1 \/&nbsp;<\/em>Plein Sud, Centre d&rsquo;exposition en art actuel, Longueuil, Qu\u00e9bec<br><em>Arr\u00eats sur espace, Volet 2 \/&nbsp;<\/em>Mus\u00e9e d&rsquo;art de Mont-St-Hilaire, Mont Saint-Hilaire, Qu\u00e9bec<\/p>\n\n\n\n<p>2000&nbsp;<br><em>Portes ouvertes \/&nbsp;<\/em>Atelier de Mont-Saint-Hilaire, Mont Saint-Hilaire, Qu\u00e9bec<em><\/em><\/p>\n\n\n\n<p>1999&nbsp;<br><em>5 Fois 2 Temps \/&nbsp;<\/em>Centre national d&rsquo;exposition de Jonqui\u00e8re, Jonqui\u00e8re, Qu\u00e9bec<\/p>\n\n\n\n<p>1998&nbsp;<br>Centre d&rsquo;exposition de Rouyn-Noranda, Rouyn-Noranda, Qu\u00e9bec,&nbsp;<em>5 Fois 2 Temps<\/em><br>Maison de la Culture C\u00f4te-des-Neiges, Montr\u00e9al, Qu\u00e9bec,&nbsp;<em>5 Fois 2 Temps<\/em><br>Centre d&rsquo;exposition du Vieux-Palais, Saint-J\u00e9r\u00f4me, Qu\u00e9bec,&nbsp;<em>5 Fois 2 Temps<\/em><\/p>\n\n\n\n<p>1997&nbsp;<br><em>5 Fois 2 Temps \/&nbsp;<\/em>Expression, Centre d&rsquo;exposition de St-Hyacinthe, St-Hyacinthe, Qu\u00e9bec<\/p>\n\n\n\n<p>1996&nbsp;<br><em>Portes ouvertes \/&nbsp;<\/em>Atelier de Mont-Saint-Hilaire, Mont Saint-Hilaire, Qu\u00e9bec<\/p>\n\n\n\n<p>1995&nbsp;<br><em>Jardin de tessons \/&nbsp;<\/em>Mus\u00e9e de la Ville de Lachine, Lachine, Qu\u00e9bec<\/p>\n\n\n\n<p>1994&nbsp;<br><em>C\u00e9ramique et architecture \/&nbsp;<\/em>Sixi\u00e8me Biennale nationale de c\u00e9ramique, Trois-Rivi\u00e8res, Qu\u00e9bec, artiste invit\u00e9<\/p>\n\n\n\n<p>1992&nbsp;<br><em>Mosa\u00efque et sculpture \/&nbsp;<\/em>Centre d&rsquo;exposition Circa, Montr\u00e9al, Qu\u00e9bec<\/p>\n\n\n\n<p>1990&nbsp;<br>Galerie Action, Saint-Jean-sur-Richelieu, Qu\u00e9bec<\/p>\n\n\n\n<p>1988&nbsp;<br><em>Le site \/&nbsp;<\/em>Centre d&rsquo;exposition Circa, Montr\u00e9al, Qu\u00e9bec<em><\/em><\/p>\n\n\n\n<p>1986&nbsp;<br><em>Arch\u00e9ologues&nbsp;imaginaires \/&nbsp;<\/em>Galerie Port-Maurice, Saint-L\u00e9onard, Qu\u00e9bec<\/p>\n\n\n\n<p>1985&nbsp;<br>Galerie d&rsquo;art du Parc, Trois-Rivi\u00e8res, Qu\u00e9bec<\/p>\n\n\n\n<p>1984&nbsp;<br><em>Piliers pour une construction absente \/&nbsp;<\/em>Galerie Noctuelle Michel Groleau, Montr\u00e9al, Qu\u00e9bec<\/p>\n\n\n\n<p>1983&nbsp;<br><em>Les murs de la folie \/&nbsp;<\/em>D\u00e9l\u00e9gation culturelle du Qu\u00e9bec \u00e0 Paris, Qu\u00e9bec, Qu\u00e9bec<\/p>\n\n\n\n<p>1982&nbsp;<br><em>Regards \/&nbsp;<\/em>Centre des arts visuels, Montr\u00e9al, Qu\u00e9bec<\/p>\n\n\n\n<p>1980&nbsp;<br>Centrale d&rsquo;artisanat du Qu\u00e9bec, Montr\u00e9al, Qu\u00e9bec<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"expositions-collectives\">Group exhibitions since 2000<\/h2>\n\n\n\n<p>2021&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>Mus\u00e9e des m\u00e9tiers d\u2019art du Qu\u00e9bec, Montr\u00e9al, Qu\u00e9bec, <em>La c\u00e9ramique du Qu\u00e9bec de 1800 \u00e0 nos jours<\/em><\/p>\n\n\n\n<p>Mus\u00e9e de Charlevoix, La Malbaie, Qu\u00e9bec, <em>Tradition et contemporan\u00e9it\u00e9<\/em><\/p>\n\n\n\n<p>2019&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br>Centre de c\u00e9ramique Bonsecours, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2018<br>Arts d\u00e9coratifs et design \/ Mus\u00e9e des beaux-arts de Montr\u00e9al, Montr\u00e9al (Qu\u00e9bec) Canada<\/p>\n\n\n\n<p>2016&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br><em>L\u2019imaginaire de l\u2019objet \/<\/em>&nbsp;Arts d\u00e9coratifs et design du Qu\u00e9bec, Mus\u00e9e national des beaux-arts du Qu\u00e9bec, Qu\u00e9bec (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2013&nbsp;<br><em>Entre-temps \/&nbsp;<\/em>Centre d\u2019exposition Circa, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>La sculpture en temps et lieux<\/em>&nbsp;\/ 25e anniversaire, Centre d\u2019exposition Circa, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2012&nbsp;<br><em>Filigranes \/&nbsp;<\/em>Centre d\u2019exposition Circa, Montr\u00e9al (Qu\u00e9bec), Canada <\/p>\n\n\n\n<p><em>30<\/em>, Galerie McClure, Centre des arts visuels, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>La c\u00e9ramique dans tous ses \u00e9tats \/&nbsp;<\/em>Centre d\u2019exposition du Vieux Presbyt\u00e8re, Saint-Bruno-de-Montarville (Qu\u00e9bec), Canada Sculpture Objects Functional Art and Design (sofa), Chicago, Illinois, \u00c9tats-Unis<\/p>\n\n\n\n<p class=\"has-text-align-left\"><\/p>\n\n\n\n<p>2011&nbsp;<br><em>Matter of Clay III \/&nbsp;<\/em>Jonathon Bancroft-Snell Gallery, London (Ontario), Canada<\/p>\n\n\n\n<p><em>La repr\u00e9sentation<\/em>, Mus\u00e9e du Haut-Richelieu, Saint-Jean-sur-Richelieu (Qu\u00e9bec), Canada&nbsp;<br><em>Objets secrets de l\u2019atelier<\/em>&nbsp;\/ Maison culturelle et communautaire de Montr\u00e9al-Nord, Montr\u00e9al (Qu\u00e9bec), Canada <\/p>\n\n\n\n<p>2010<br><em>Art pour tous<\/em>&nbsp;&nbsp;\/ Centre d\u2019exposition de l\u2019Universit\u00e9 de Montr\u00e9al, Montr\u00e9al (Qu\u00e9bec), Canada West Meets East, Harbinger Gallery, Waterloo (Ontario), Canada&nbsp;<br><em>Objets secrets de l\u2019atelier \/&nbsp;<\/em>Maison de la culture C\u00f4te-des-Neiges, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Objets secrets de l\u2019atelier<\/em>&nbsp;\/ Maison de la culture Rivi\u00e8re-des-Prairies, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>R\u00e9f\u00e9rences<\/em>&nbsp;\/&nbsp;Mus\u00e9e du Haut-Richelieu, Saint-Jean-sur-Richelieu (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2009&nbsp;<br><em>M\u00e9taphores et autres catachr\u00e8ses<\/em>&nbsp;\/ &nbsp;Centre d\u2019exposition Circa, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2008&nbsp;<br><em>Jouer avec le feu<\/em>&nbsp;\/ Centre d\u2019exposition Circa, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Objets de culture\u2009: de la Nouvelle-France \u00e0 aujourd\u2019hui<\/em>&nbsp;\/ Centre Materia, Qu\u00e9bec (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2007&nbsp;<br>FuLe International Ceramic Art Museums, Fuping, Chine&nbsp;<br><em>Mobile Structures<\/em>&nbsp;\/ Surrey Art Gallery, Surrey (Colombie-Britannique), Canada&nbsp;<br><em>Mobile Structures<\/em>&nbsp;\/ MacKenzie Art Gallery, Regina (Saskatchewan), Canada<\/p>\n\n\n\n<p>2006&nbsp;<br><em>Canadian Ceramic Exhibition<\/em>&nbsp;\/ &nbsp;Esplanade Art Gallery, Medicine Hat (Alberta), Canada&nbsp;<br><em>Utopies \u00e0 vendre<\/em>&nbsp;\/ Centre d\u2019exposition Circa, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>L\u2019id\u00e9e du blanc<\/em>&nbsp;\/ Centre de c\u00e9ramique Bonsecours, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Petites architectures momentan\u00e9es<\/em>&nbsp;\/ Zocalo, centre d\u2019artistes en art imprim\u00e9, Longueuil (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2005&nbsp;<br><em>Portraits d\u2019artistes<\/em>&nbsp;\/ Conseil des arts de Montr\u00e9al, Montr\u00e9al (Qu\u00e9bec), Canada [exposition itin\u00e9rante]&nbsp;<br><em>Passeurs de m\u00e9moire<\/em>&nbsp;\/ Centre Materia, Qu\u00e9bec (Qu\u00e9bec), Canada&nbsp;<br><em>Savoureuses c\u00e9ramiques<\/em>&nbsp;\/ Centre Materia, Qu\u00e9bec (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2004&nbsp;<br><em>5e biennale Barro de Am\u00e9rica<\/em>&nbsp;\/ Maracaibo, Venezuela&nbsp;<br><em>Eaux vives, regards crois\u00e9s<\/em>&nbsp;\/ Maisons de la culture, Montr\u00e9al (Qu\u00e9bec), Galerie d\u2019art Stewart Hall, Pointe-Claire (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2003&nbsp;<br>12e Biennale de c\u00e9ramique contemporaine de Ch\u00e2teauroux, Ch\u00e2teauroux, France&nbsp;<br><em>Trajectoires\u2009: la c\u00e9ramique au Qu\u00e9bec de 1930 \u00e0 nos jours<\/em>&nbsp;\/ Galerie d\u2019art de l\u2019Universit\u00e9 Bishop&rsquo;s, Lennoxville (Qu\u00e9bec), Canada&nbsp;<br><em>Caract\u00e8res<\/em>&nbsp;\/ maisons de la culture, Montr\u00e9al (Qu\u00e9bec), Canada [exposition itin\u00e9rante]<\/p>\n\n\n\n<p>2002&nbsp;<br><em>Travers\u00e9e de l\u2019imaginaire<\/em>, Maison de la culture Marie-Uguay, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Autoportrait<\/em>&nbsp;\/ Dixi\u00e8me Biennale nationale de c\u00e9ramique, Galerie d\u2019art du Parc, Trois-Rivi\u00e8res (Qu\u00e9bec), Canada&nbsp;<br><em>10th National Biennial of Ceramics: Autoportrait<\/em>&nbsp;\/ The Canadian Clay and Glass Gallery, Waterloo (Ontario), Canada<\/p>\n\n\n\n<p>2001&nbsp;<br><em>C\u00e9ramistes enseignants<\/em>&nbsp;\/ Centre de c\u00e9ramique Bonsecours, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Menu d\u2019\u00e9t\u00e9<\/em>&nbsp;\/ Centre de c\u00e9ramique Bonsecours, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2001-2007&nbsp;<br>Sculpture Objects Functional Art and Design (SOFA), New-York, New York, \u00c9tats-Unis<\/p>\n\n\n\n<p>2000&nbsp;<br><em>Levant rouge<\/em>&nbsp;\/ Arts Station, Mont-Saint-Hilaire (Qu\u00e9bec), Canada&nbsp;<br><em>Qu\u00e9bec, ville d\u2019art public<\/em>&nbsp;\/ Centre d\u2019interpr\u00e9tation de la vie urbaine de la Ville de Qu\u00e9bec, Qu\u00e9bec (Qu\u00e9bec), Canada&nbsp;<br><em>Mati\u00e8re \u00e0 vision<\/em>&nbsp;\/ Mus\u00e9e d\u2019art de Mont-Saint-Hilaire, Mont-Saint-Hilaire (Qu\u00e9bec), Canada&nbsp;<br><em>PassArt\u2009: Passage 1999-2000<\/em>&nbsp;\/ Rouyn-Noranda (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2000-2007&nbsp;<br>Sculpture Objects Functional Art and Design (SOFA), Chicago, Illinois, \u00c9tats-Unis<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>1991&nbsp;<br><em>\u00c0 force de terre<\/em>&nbsp;\/ Centre d\u2019exposition Circa, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1990&nbsp;<br><em>Pour l\u2019amour de Ga\u00efa<\/em>&nbsp;\/ Centre d\u2019exposition Circa, Montr\u00e9al (Qu\u00e9bec), Canada Quebec&nbsp;<br><em>Impressions in Clay<\/em>&nbsp;\/ Galerie Barbara Silverberg, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>\u00c0 l\u2019ombre du g\u00e9nie<\/em>&nbsp;\/ Entr\u00e9e libre \u00e0 l\u2019art contemporain, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>De la mati\u00e8re brute \u00e0 la mati\u00e8re th\u00e9orique<\/em>&nbsp;\/ Grand Th\u00e9\u00e2tre de Qu\u00e9bec, Qu\u00e9bec (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1989&nbsp;<br><em>Sculpture \u201989<\/em>&nbsp;\/ Galerie Daniel, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Entr\u00e9e libre \u00e0 l\u2019art contemporain<\/em>&nbsp;\/ Cit\u00e9 de l\u2019image, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Mati\u00e8re \u00e0 r\u00e9flexion<\/em>&nbsp;\/ Centre d\u2019exposition du Vieux-Palais, Saint-J\u00e9r\u00f4me (Qu\u00e9bec), Canada&nbsp;<br><em>Espace mur<\/em>&nbsp;\/ Galerie Fr\u00e9d\u00e9ric Palardy, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br>Kecsemet\u2009\/\u2009Canada, Galerie Silverstone, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Dieux et diables, les artistes<\/em>&nbsp;\/ Centre d\u2019exposition Circa, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Collection Lavalin et la Troisi\u00e8me Biennale de la c\u00e9ramique<\/em>&nbsp;\/ Galerie Lavalin, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1988&nbsp;<br><em>Fired Imagination \u201888: A Canadian Australian Exchange<\/em>&nbsp;\/ Sydney, Australie&nbsp;<br>Troisi\u00e8me Biennale de la c\u00e9ramique, Galerie d\u2019art du Parc, Trois-Rivi\u00e8res (Qu\u00e9bec), Canada&nbsp;<br><em>Sculpture \u201988<\/em>&nbsp;\/ Galerie Daniel, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Qu\u00e9bec en 3D<\/em>&nbsp;\/ Biblioth\u00e8que Gabrielle-Roy, Qu\u00e9bec (Qu\u00e9bec), Canada&nbsp;<br>Maison historique Chevalier (Mus\u00e9es de la civilisation), Qu\u00e9bec (Qu\u00e9bec), Canada&nbsp;<br><em>Dix artistes\u2026 la terre<\/em>&nbsp;\/ Centre d\u2019exposition Circa, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1987&nbsp;<br><em>Ob\u2019Art<\/em>&nbsp;\/ Paris, France Quatre-vingts artistes \u00e0 l\u2019occasion de son 15e anniversaire, Galerie d\u2019art du Parc, Trois-Rivi\u00e8res (Qu\u00e9bec), Canada&nbsp;<br><em>L\u2019utilit\u00e9 de l\u2019excellence<\/em>&nbsp;\/ Galerie d\u2019art du coll\u00e8ge \u00c9douard-Montpetit, Longueuil (Qu\u00e9bec), Canada&nbsp;<br><em>Sculpture \u201987<\/em>&nbsp;\/ Galerie Daniel, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Collection Pr\u00eat d\u2019\u0153uvres d\u2019art<\/em>&nbsp;\/ Mus\u00e9e du Qu\u00e9bec, Qu\u00e9bec (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1986&nbsp;<br>Chicago International Forms Exposition, Chicago, Illinois, \u00c9tats-Unis&nbsp;<br><em>Qu\u00e9bec en 3D<\/em>&nbsp;\/ D\u00e9l\u00e9gation g\u00e9n\u00e9rale du Qu\u00e9bec, Paris, France&nbsp;<br>Foire de Li\u00e8ge, Li\u00e8ge, Belgique&nbsp;<br><em>Sculpture \u201986<\/em>&nbsp;\/ &nbsp;Galerie Daniel, Montr\u00e9al (Qu\u00e9bec), Canada Collection&nbsp;<br><em>Pr\u00eat d\u2019\u0153uvres d\u2019art<\/em>&nbsp;\/ Mus\u00e9e du Qu\u00e9bec, Qu\u00e9bec (Qu\u00e9bec), Canada&nbsp;<br><em>Pro Art \u201986<\/em>&nbsp;\/ Galerie du coll\u00e8ge \u00c9douard-Montpetit, Longueuil (Qu\u00e9bec), Canada Art&nbsp;<br><em>Expo \u201986<\/em>&nbsp;\/ Salon des galeries d\u2019art, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1985&nbsp;<br>43e Concours international de c\u00e9ramique d\u2019art contemporain Premio Faenza, Faenza, Italie&nbsp;<br><em>40 ans<\/em>&nbsp;\/&nbsp;Centre des arts visuels, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br>Salon des galeries d\u2019art, Conseil de la sculpture du Qu\u00e9bec, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>\u00c9v\u00e9nement multim\u00e9dia<\/em>&nbsp;\/ Centre des arts visuels, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Collection Pr\u00eat d\u2019\u0153uvres d\u2019art<\/em>&nbsp;\/ Mus\u00e9e du Qu\u00e9bec, Qu\u00e9bec (Qu\u00e9bec), Canada&nbsp;<br><em>Elements<\/em>&nbsp;\/ Galerie Barbara Silverberg, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>\u00c9v\u00e9nement IV<\/em>&nbsp;\/ Centre de c\u00e9ramique Bonsecours, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>Grand prix des m\u00e9tiers d\u2019art<\/em>&nbsp;\/ Maison de la culture du Plateau-Mont-Royal, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1984&nbsp;<br><em>Collection Pr\u00eat d\u2019\u0153uvres d\u2019art<\/em>&nbsp;\/ Mus\u00e9e du Qu\u00e9bec, Qu\u00e9bec (Qu\u00e9bec), Canada&nbsp;<br><em>Collection Pr\u00eat d\u2019\u0153uvres d\u2019art<\/em>&nbsp;\/ Mus\u00e9e d\u2019art contemporain, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>\u00c9volution<\/em>&nbsp;\/ Premi\u00e8re Biennale nationale de c\u00e9ramique, Galerie d\u2019art du Parc, Trois-Rivi\u00e8res (Qu\u00e9bec), Canada&nbsp;<br><em>Grand prix des m\u00e9tiers d\u2019art<\/em>&nbsp;\/ Maison de la culture du Plateau-Mont-Royal, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1983<br>Collection Pr\u00eat d\u2019\u0153uvres d\u2019art 1983, Mus\u00e9e du Qu\u00e9bec, Qu\u00e9bec (Qu\u00e9bec), Canada&nbsp;<br>\u00c9v\u00e9nement II, Centre de c\u00e9ramique Bonsecours, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br>Galerie Motivation V, Montr\u00e9al (Qu\u00e9bec), Canada Quebec Connection, Tatay Gallery, Toronto (Ontario), Canada<\/p>\n\n\n\n<p>1982&nbsp;<br>40e Concours international de c\u00e9ramique d\u2019art contemporain Premio Faenza, Faenza, Italie&nbsp;<br>Galerie d\u2019art Stewart Hall, Pointe-Claire (Qu\u00e9bec), Canada&nbsp;<br>Galerie Interaction, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br><em>\u00c9v\u00e9nement I<\/em>&nbsp;\/ Centre de c\u00e9ramique Bonsecours, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1981&nbsp;<br><em>Terre et trame<\/em>&nbsp;\/ Forum des arts Lavalin, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br>Salon des m\u00e9tiers d\u2019art de Montr\u00e9al, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br>Galerie Interaction, Montr\u00e9al (Qu\u00e9bec), Canada&nbsp;<br>Centrale d\u2019artisanat du Qu\u00e9bec, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1980&nbsp;<br><em>Fusion<\/em>&nbsp;\/ Walter Phillips Gallery, Banff (Alberta), Canada<\/p>\n\n\n\n<p>1979&nbsp;<br>Salon des m\u00e9tiers d\u2019art de Montr\u00e9al, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1976&nbsp;<br>Salon des m\u00e9tiers d\u2019art de Montr\u00e9al, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"oeuvres-d-art-public\">Public artworks<\/h2>\n\n\n\n<p>2020&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>Centre aquatique de Saint-Constant, Saint-Constant, Qu\u00e9bec, <em>H2O<\/em><\/p>\n\n\n\n<p>Piscine municipale d\u2019Otterburn Park, Otterburn Park, Qu\u00e9bec, <em>L\u2019\u00e9t\u00e9<\/em><\/p>\n\n\n\n<p>2018&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br>Plan\u00e8te jeu, Centre r\u00e9cr\u00e9atif de Bromont, Bromont (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2016&nbsp;<br><em>5\u2009x\u20092 temps \/&nbsp;<\/em>Centre de formation professionnelle des Moissons, Saint-Chrysostome (Qu\u00e9bec), Canada<br>Patatras, \u00c9cole Sainte-Anne, Mirabel (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2014&nbsp;<br><em>Objets volants (l\u2019insoutenable l\u00e9g\u00e8ret\u00e9 des choses) \/&nbsp;<\/em>Biblioth\u00e8que Sainte-Rosalie, Saint-Hyacinthe (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2013&nbsp;<br><em>Cirrocumulus<\/em>&nbsp;\/ Murale ext\u00e9rieure pour l&rsquo;H\u00f4tel-Dieu de L\u00e9vis (Centre hospitalier autonome universitaire), L\u00e9vis, Qu\u00e9bec<\/p>\n\n\n\n<p>2011&nbsp;<br><em>Icare&nbsp;<\/em>\/ Murale pour l&rsquo;\u00e9cole Eur\u00eaka, Granby, Qu\u00e9bec<br><em>Travers\u00e9e<\/em>&nbsp;\/ Murale pour le pavillon d&rsquo;accueil du Grand Lac Saint-Fran\u00e7ois, Lambton, Qu\u00e9bec<\/p>\n\n\n\n<p>2010&nbsp;<br><em>Pommeraie \/&nbsp;<\/em>Bo\u00eetier lumineux pour le CLSC de Windsor, Windsor, Qu\u00e9bec<br><em>Passage \u00e0 niveau \/&nbsp;<\/em>Gare Hays-Association Canadienne d&rsquo;Histoire Ferroviaire, St-Constant, Qu\u00e9bec<em><\/em><\/p>\n\n\n\n<p>2009&nbsp;<br><em>Correlieu<\/em>&nbsp;\/&nbsp;Verri\u00e8re pour le CLSC des Patriotes, Beloeil, Qu\u00e9bec<br><em>L&rsquo;Envers de mes lunes \/&nbsp;<\/em>Sculpture lumineuse pour la Biblioth\u00e8que St-Jean-sur-Richelieu-Saint-Luc, Saint-Jean-sur-Richelieu, Qu\u00e9bec<\/p>\n\n\n\n<p>2007&nbsp;<br><em>Id\u00e9ogrammes \/&nbsp;<\/em>Murale pour l&rsquo;\u00c9cole de Technologie sup\u00e9rieure (\u00c9TS), Montr\u00e9al, Qu\u00e9bec<br><em>Code binaire \/&nbsp;<\/em>Murale pour l&rsquo;\u00c9cole secondaire Westwood Jr, St-Lazare, Qu\u00e9bec<br><em>Sillons \/&nbsp;<\/em>Murale pour le Centre de d\u00e9tention de Gatineau, Gatineau, Qu\u00e9bec<\/p>\n\n\n\n<p>2006&nbsp;<br><em>Touchez Touch\u00e9! \/&nbsp;<\/em>Murale pour l&rsquo;Universit\u00e9 de Montr\u00e9al, Facult\u00e9 de m\u00e9decine v\u00e9t\u00e9rinaire, Saint-Hyacinthe, Qu\u00e9bec<\/p>\n\n\n\n<p>2004&nbsp;<br><em>Virage \u00e0 droite au feu rouge \/&nbsp;<\/em>Murales pour le Poste de la S\u00fbret\u00e9 du Qu\u00e9bec, Napierville, Qu\u00e9bec<br><em>Spirales \/&nbsp;<\/em>Murale pour le Centre de formation professionnelle Morilac, Windsor, Qu\u00e9bec<\/p>\n\n\n\n<p>2002&nbsp;<br><em>Passe-lunes \/&nbsp;<\/em>Murale pour l&rsquo;H\u00f4pital g\u00e9n\u00e9ral du Lakeshore, Pointe-Claire, Qu\u00e9bec<br><em>Variations \/&nbsp;<\/em>Murale pour l&rsquo;\u00c9cole primaire Institut Gault, Valleyfield, Qu\u00e9bec<br>Murale pour le Centre r\u00e9gional de services aux biblioth\u00e8ques publiques de la Mont\u00e9r\u00e9gie, La Prairie, Qu\u00e9bec<\/p>\n\n\n\n<p>2000&nbsp;<br><em>Valleyfield<\/em>&nbsp;\/&nbsp;Murales pour le Centre hospitalier r\u00e9gional du Suroit, Valleyfield, Qu\u00e9bec<\/p>\n\n\n\n<p>1999&nbsp;<br><em>Passe-temps \/&nbsp;<\/em>Murale pour l&rsquo;\u00c9cole nationale d&rsquo;administration publique, Qu\u00e9bec, Qu\u00e9bec<br><em>Vox non echo \/&nbsp;<\/em>Murale pour la biblioth\u00e8que du coll\u00e8ge de Valleyfield, Valleyfield, Qu\u00e9bec<\/p>\n\n\n\n<p>1998<br><em>Tableau noir \/&nbsp;<\/em>Murales pour l&rsquo;\u00e9cole de l&rsquo;Odyss\u00e9e, Ste-Catherine, Qu\u00e9bec<br><em>42 variations \/&nbsp;<\/em>Murale pour l&rsquo;\u00e9cole de la Mosa\u00efque, Saint-Basile-le-Grand, Qu\u00e9bec<br><em>All\u00f4 les voyelles \/&nbsp;<\/em>Murales pour l&rsquo;\u00e9cole pr\u00e9scolaire de Saint-Amable, Saint-Amable, Qu\u00e9bec<\/p>\n\n\n\n<p>1997&nbsp;<br><em>Varennes<\/em>&nbsp;\/&nbsp;Murales pour le Centre hospitalier La Jemmerais, Varennes, Qu\u00e9bec<br><em>Le passe goutte \/&nbsp;<\/em>Sculpture ext\u00e9rieure pour l&rsquo;\u00e9cole primaire de Saint-Zotique, Saint-Zotique, Qu\u00e9bec<\/p>\n\n\n\n<p>1996&nbsp;<br><em>Le banc d&rsquo;\u00e9cole \/&nbsp;<\/em>Sculpture murale pour l&rsquo;\u00e9cole Notre-Dame-du-Sourire, Ste-Brigide, Qu\u00e9bec<\/p>\n\n\n\n<p>1995&nbsp;<br><em>Wakefield<\/em>&nbsp;\/&nbsp;Murales et verri\u00e8re pour le Centre hospitalier Gatineau-Memorial, Wakefield, Qu\u00e9bec<br><em>Marieville 1882<\/em>&nbsp;\/ Centre d&rsquo;accueil Rouville, Marieville, Qu\u00e9bec<br><em>Le ciel et la terre \/&nbsp;<\/em>Murales et colonnes pour le Centre hospitalier de Montarville, St-Bruno-de-Montarville, Qu\u00e9bec<\/p>\n\n\n\n<p>1994&nbsp;<br><em>La mesure du temps \/&nbsp;<\/em>Murales pour le c\u00e9gep de Saint-Hyacinthe, Saint-Hyacinthe, Qu\u00e9bec<\/p>\n\n\n\n<p>1993&nbsp;<br><em>L&rsquo;\u00c9criture<\/em>&nbsp;\/ \u00e9cole primaire de Varennes, Varennes, Qu\u00e9bec<\/p>\n\n\n\n<p>1992&nbsp;<br>Murales pour l&rsquo;\u00e9cole Notre-Dame-du-Rosaire, Ormstown, Qu\u00e9bec<br>Murales pour l&rsquo;H\u00f4pital communautaire du Pontiac, Shawville, Qu\u00e9bec<\/p>\n\n\n\n<p>1991&nbsp;<br>Murale pour l&rsquo;H\u00f4tel Inter-Continental, Montr\u00e9al, Qu\u00e9bec<\/p>\n\n\n\n<p>1990&nbsp;<br>Murales pour le Centre hospitalier du Lac M\u00e9gantic, Lac M\u00e9gantic, Qu\u00e9bec<\/p>\n\n\n\n<p>1989&nbsp;<br>Plancher pour la Maison du tourisme de Rigaud, Rigaud, Qu\u00e9bec<\/p>\n\n\n\n<p>1987&nbsp;<br>Murale pour la station de m\u00e9tro Outremont, Montr\u00e9al, Qu\u00e9bec<\/p>\n\n\n\n<p>1986&nbsp;<br>Sculptures pour le Symposium de sculpture de Laprairie \u00ab Laprairie en f\u00eate \u00bb, Laprairie, Qu\u00e9bec<\/p>\n\n\n\n<p>1983&nbsp;<br>Murales pour le CLSC Jardin du Qu\u00e9bec, Saint-R\u00e9mi-de-Napierville, Qu\u00e9bec<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"residences\">Residencies<\/h3>\n\n\n\n<p>2013&nbsp;<br>Open Studio Residency, Haystack Mountain School of Crafts, Deer Isle, Maine, \u00c9tats-Unis<\/p>\n\n\n\n<p>2007&nbsp;<br>FuLe International Ceramic Art Museums, Fuping, Chine<\/p>\n\n\n\n<p>2005&nbsp;<br>Maison des m\u00e9tiers d\u2019art de Qu\u00e9bec, Qu\u00e9bec (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>2004&nbsp;<br>Guldagergaard, International Ceramic Research Center, Sk\u00e6lsk\u00f8r, Danemark<\/p>\n\n\n\n<p>2001&nbsp;<br>Est-Nord-Est, Saint-Jean-Port-Joli (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1988&nbsp;<br>Leighton Artists\u2019 Colony, The Banff Centre, Banff (Alberta), Canada<\/p>\n\n\n\n<p>1982&nbsp;<br>Cit\u00e9 internationale des arts, Paris, France<\/p>\n\n\n\n<p>1979&nbsp;<br>The Banff Centre, Banff (Alberta), Canada<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"prix-et-distinctions\">Awards and mentions<\/h3>\n\n\n\n<p>2015&nbsp;<br>S\u00e9lection officielle, Festival international du film sur l\u2019art\u2009: Gilbert Poissant\u2014<em>Le jeu du collectionneur,<\/em>&nbsp;capsule vid\u00e9o r\u00e9alis\u00e9e par Alain Boisvert<\/p>\n\n\n\n<p>2013&nbsp;<br>Bourse de carri\u00e8re en m\u00e9tiers d\u2019art (premier r\u00e9cipiendaire), Conseil des arts et des lettres du Qu\u00e9bec&nbsp;<br>Prix \u00e0 la cr\u00e9ation artistique pour la Mont\u00e9r\u00e9gie, Conseil des arts et des lettres du Qu\u00e9bec<\/p>\n\n\n\n<p>2003&nbsp;<br>Membre de l\u2019Acad\u00e9mie royale des arts du Canada<\/p>\n\n\n\n<p>1998&nbsp;<br>Gagnant du concours national pour la r\u00e9alisation de l\u2019\u0153uvre d\u2019art de l\u2019\u00c9cole nationale d\u2019administration publique, Qu\u00e9bec (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1986&nbsp;<br>Mention,&nbsp;<em>\u00c9v\u00e9nement IV<\/em>, Centre de c\u00e9ramique Bonsecours, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<p>1982&nbsp;<br>Mention, Premi\u00e8re Biennale nationale de c\u00e9ramique Studio du Qu\u00e9bec \u00e0 Paris, minist\u00e8re des Affaires culturelles du Qu\u00e9bec<\/p>\n\n\n\n<p>1981&nbsp;<br>Prix Jean-Marie-Gauvreau, Salon des m\u00e9tiers d\u2019art de Montr\u00e9al, Montr\u00e9al (Qu\u00e9bec), Canada<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"collections\">Collections<\/h3>\n\n\n\n<p>Banque Royale du Canada&nbsp;<br>The Canadian Clay and Glass Gallery&nbsp;<br>Centre culturel Stewart Hall&nbsp;<br>Chambre des notaires du Qu\u00e9bec&nbsp;<br>Collection Loto-Qu\u00e9bec&nbsp;<br>Conseil des m\u00e9tiers d\u2019art du Qu\u00e9bec&nbsp;<br>D\u00e9l\u00e9gation g\u00e9n\u00e9rale du Qu\u00e9bec \u00e0 Paris<br>Esso Canada&nbsp;<br>EXPRESSION, Centre d\u2019exposition de Saint-Hyacinthe&nbsp;<br>FuLe International Ceramic Art Museums, Fuping, Chine&nbsp;<br>Mus\u00e9e d\u2019art contemporain de Montr\u00e9al, collection Lavalin&nbsp;<br>Mus\u00e9e d\u2019art de Mont-Saint-Hilaire&nbsp;<br>Mus\u00e9e des beaux-arts de Montr\u00e9al&nbsp;<br>Mus\u00e9e du Haut-Richelieu&nbsp;<br>Mus\u00e9e national des beaux-arts du Qu\u00e9bec, collection permanente&nbsp;<br>Mus\u00e9e national des beaux-arts du Qu\u00e9bec, collection Pr\u00eat d\u2019\u0153uvres d\u2019art Ordre des architectes du Qu\u00e9bec&nbsp;<br>Universit\u00e9 de Montr\u00e9al&nbsp;<br>Visa, Denver, Colorado, \u00c9tats-Unis<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"monographie-catalogues-et-opuscules-selection\">Monograph, catalogues (selection)<\/h3>\n\n\n\n<p>Beaudet, Pascale, Gogarty, Amy, Hakim, Mona, GILBERT POISSANT, Monographie, Plein sud \u00c9dition, 2016, 276 p.<\/p>\n\n\n\n<p><em>40\u00b0 Concorso Internazionale della Ceramica d\u2019Arte \/&nbsp;<\/em>Faenza (Italie)\u2009: Comune di Faenza, 1982, p. 61.<\/p>\n\n\n\n<p>Beaudet, Pascale.&nbsp;<em>Gilbert Poissant, arr\u00eats sur espace<\/em>, Longueuil\u2009: Plein sud, centre d\u2019exposition en art actuel \u00e0 Longueuil et Mont-Saint-Hilaire\u2009: Mus\u00e9e d\u2019art de Mont-Saint-Hilaire, 2001, 48 p.<\/p>\n\n\n\n<p>Beaudet, Pascale.&nbsp;<em>Gilbert Poissant, art public<\/em>, Longueuil\u2009: Plein sud, centre d\u2019exposition en art actuel \u00e0 Longueuil et Mont-Saint-Hilaire\u2009: Mus\u00e9e d\u2019art de Mont-Saint-Hilaire, 2001, 32 p.<\/p>\n\n\n\n<p>Beaudet, Pascale.&nbsp;<em>Gilbert Poissant. Le jeu du collectionneur<\/em>, Qu\u00e9bec\u2009: Centre materia, 2010, 63 p.<\/p>\n\n\n\n<p><em>Biennale nationale de c\u00e9ramique, sixi\u00e8me \u00e9dition<\/em>, Trois-Rivi\u00e8res\u2009: Biennale nationale de c\u00e9ramique, 1994, p. 70.<\/p>\n\n\n\n<p>Bourassa, Paul. Art d\u00e9coratifs et design du Qu\u00e9bec, guide de collection, Qu\u00e9bec\u2009: Mus\u00e9e national des beaux-arts du Qu\u00e9bec, 2016, p.\u200912.<\/p>\n\n\n\n<p>Bourassa, Paul, et Julie Leclerc. Trajectoires\u2009: la c\u00e9ramique au Qu\u00e9bec des ann\u00e9es 1930 \u00e0 nos jours, Qu\u00e9bec\u2009: Mus\u00e9e du Qu\u00e9bec, 1998, p. 15.&nbsp;<\/p>\n\n\n\n<p>Clairoux, Beno\u00eet.&nbsp;<em>Le m\u00e9tro de Montr\u00e9al<\/em>, 35 ans d\u00e9j\u00e0, Montr\u00e9al\u2009: \u00c9ditions Hurtubise&nbsp;hmh, 2001, p. 94, 155.<\/p>\n\n\n\n<p>Cloutier, Huguette, et Sylvain Latendresse.&nbsp;<em>Les enfants et le 1 %<\/em>, Longueuil\u2009: Plein sud, centre d\u2019exposition&nbsp;<br>en art actuel \u00e0 Longueuil et Saint-Hyacinthe\u2009:&nbsp;EXPRESSION, Centre d\u2019exposition de Saint-Hyacinthe, 1998, p. 22-23.<\/p>\n\n\n\n<p>Daignault, Michel.&nbsp;<em>Qu\u00e9bec en 3D<\/em>, Montr\u00e9al\u2009: Conseil de la sculpture du Qu\u00e9bec, en collaboration avec la D\u00e9l\u00e9gation&nbsp;<br>du Qu\u00e9bec \u00e0 Paris, 1986, p. 9.<\/p>\n\n\n\n<p>De Julio-Paquin, Jean, et Martin Philippe C\u00f4t\u00e9.&nbsp;<em>Une travers\u00e9e de l\u2019imaginaire<\/em>, Montr\u00e9al\u2009: Ville de Montr\u00e9al, Maison de la culture&nbsp;<br>Marie-Uguay, 2002, p. 34.<\/p>\n\n\n\n<p><em>Dixi\u00e8me biennale nationale de c\u00e9ramique\u2009: autoportrait<\/em>, Trois-Rivi\u00e8res\u2009: \u00c9ditions d\u2019art Le Sabord, 2002, p. 40-41, 103.<\/p>\n\n\n\n<p><em>1re biennale nationale de c\u00e9ramique\u2009: \u00e9volution<\/em>, Trois-Rivi\u00e8res\u2009: Corporation des c\u00e9ramistes du C\u0153ur du Qu\u00e9bec, 1984, p. 61, 83.<\/p>\n\n\n\n<p><em>Exposition des nations\u2009: Qu\u00e9bec\u2009: manifestations internationales de la c\u00e9ramique d\u2019art<\/em>, Montr\u00e9al\u2009: Centre de c\u00e9ramique<br>Bonsecours et Faenza (Italie)\u2009: Palais des expositions, 1985, p. 32.<\/p>\n\n\n\n<p>Faucher, Paul.&nbsp;<em>L\u2019excellence de l\u2019utilit\u00e9, l\u2019utilit\u00e9 de l\u2019excellence<\/em>, Longueuil\u2009: Galerie d\u2019art du Coll\u00e8ge \u00c9douard-Montpetit, 1987, p. 6.<\/p>\n\n\n\n<p>Fisette, Serge.&nbsp;<em>Symposiums de sculpture au Qu\u00e9bec, 1964-1997<\/em>, Montr\u00e9al\u2009: Centre de diffusion 3D, 1997, 97 p.<\/p>\n\n\n\n<p>Fondation du Mus\u00e9e d\u2019art contemporain.&nbsp;<em>Ench\u00e8res = Auction<\/em>, r\u00e9dig\u00e9 par Jean-Philippe Bolduc et Julie Dessureault,&nbsp;<br>Montr\u00e9al\u2009: Mus\u00e9e d\u2019art contemporain de Montr\u00e9al, 2004, p. 40.<\/p>\n\n\n\n<p><em>Fusion: An Exhibition of Contemporary Ceramics<\/em>, Banff (Alberta)\u2009: Walter Phillips Gallery, 1980, p. 10.<\/p>\n\n\n\n<p>Gogarty, Amy.&nbsp;<em>Contemporary Canadian Ceramics<\/em>, Medicine Hat (Alberta)\u2009: Esplanade Arts and Heritage Centre, 2006, p. 7-8.<\/p>\n\n\n\n<p><em>Grand prix des m\u00e9tiers d\u2019art 1984<\/em>, Montr\u00e9al\u2009: M\u00e9tiers d\u2019art du Qu\u00e9bec \u00e0 Montr\u00e9al, 1984, p. 70.<\/p>\n\n\n\n<p><em>Grand prix des m\u00e9tiers d\u2019art 1985\u2009: Couleur\/Colour<\/em>, Montr\u00e9al\u2009: M\u00e9tiers d\u2019art du Qu\u00e9bec \u00e0 Montr\u00e9al, 1985, p. 64.<\/p>\n\n\n\n<p>Guimont, Marc.&nbsp;<em>Montr\u00e9al en m\u00e9tro<\/em>, Montr\u00e9al\u2009: Ulysse, 2007, p. 210.<\/p>\n\n\n\n<p>Long, Timothy, et Amy Gogarty.&nbsp;<em>Mobile Structures: Dialogues Between Ceramics and Architecture in Canadian Art<\/em>, Regina (Saskatchewan)\u2009: MacKenzie Art Gallery, 2007, p. 32-33, 45, 52.<\/p>\n\n\n\n<p><em>M\u00e9tiers d\u2019art Ontario-Qu\u00e9bec, 1979\/80<\/em>, Ottawa (Ontario)\u2009: Ontario Crafts Council et Montr\u00e9al\u2009:&nbsp;Centrale d\u2019artisanat du Qu\u00e9bec, 1980, p.&nbsp;32.<\/p>\n\n\n\n<p>Michel, Franck, et Natalie Lafortune.&nbsp;<em>M\u00e9mento 3<\/em>, Saint-Jean-Port-Joli (Qu\u00e9bec)\u2009: Est-Nord-Est, 2004, p. 20-23.<\/p>\n\n\n\n<p>Minist\u00e8re de la Culture et des Communications.&nbsp;<em>1961-2011\u2009: 50 ans d\u2019int\u00e9gration des arts \u00e0 l\u2019architecture<\/em>, r\u00e9dig\u00e9 par Pierre Landry&nbsp;<br>et Christine St-Pierre. Qu\u00e9bec\u2009: Gouvernement du Qu\u00e9bec, 2011, p. 68-69.<\/p>\n\n\n\n<p>Minist\u00e8re de la Culture et des Communications.&nbsp;<em>L\u2019int\u00e9gration des arts \u00e0 l\u2019architecture et \u00e0 l\u2019environnement. Bilan 1998-1999<\/em>,&nbsp;<br>Qu\u00e9bec\u2009: Gouvernement du Qu\u00e9bec, 1999, p. 20-21.<\/p>\n\n\n\n<p>Minist\u00e8re de la Culture et des Communications.&nbsp;<em>L\u2019int\u00e9gration des arts \u00e0 l\u2019architecture et \u00e0 l\u2019environnement. Bilan 1999-2002<\/em>,&nbsp;<br>Qu\u00e9bec\u2009: Gouvernement du Qu\u00e9bec, 2003, p. 103.<\/p>\n\n\n\n<p>Minist\u00e8re de la Culture et des Communications.&nbsp;<em>Vingt ans d\u2019int\u00e9gration des arts \u00e0 l\u2019architecture et \u00e0 l\u2019environnement, 1981-2001<\/em>,&nbsp;<br>Qu\u00e9bec\u2009: Gouvernement du Qu\u00e9bec, 2004, p. 112.<\/p>\n\n\n\n<p>Minist\u00e8re de la Culture, des Communications et de la Condition f\u00e9minine.&nbsp;<em>Bilan 2004-2007 \u2013 Int\u00e9gration des arts \u00e0 l\u2019architecture&nbsp;<\/em><br><em>et \u00e0 l\u2019environnement<\/em>, Qu\u00e9bec\u2009: Gouvernement du Qu\u00e9bec, 2008, p. 92-93.<\/p>\n\n\n\n<p>Minist\u00e8re de la Culture, des Communications et de la Condition f\u00e9minine.&nbsp;<em>Bilan 2007-2010 \u2013 Int\u00e9gration des arts \u00e0 l\u2019architecture&nbsp;<\/em><br><em>et \u00e0 l\u2019environnement<\/em>, Qu\u00e9bec\u2009: Gouvernement du Qu\u00e9bec, 2011, p. 173.<\/p>\n\n\n\n<p>Minist\u00e8re de la Culture et des Communications, Direction r\u00e9gionale des affaires culturelles Centre-Val de Loire.&nbsp;<em>12e biennale nationale&nbsp;<\/em><br><em>de c\u00e9ramique contemporaine de Ch\u00e2teauroux<\/em>, Ch\u00e2teauroux (France)\u2009: Ville de Ch\u00e2teauroux, 2003, p. 40-41.<\/p>\n\n\n\n<p><em>Nouvel Objet VI<\/em>, S\u00e9oul (Cor\u00e9e du Sud)\u2009: Design House Publishers, 2001, p. 134-137.<\/p>\n\n\n\n<p>Paul, Francine.&nbsp;<em>Gilbert Poissant. 5 fois 2 temps<\/em>, Saint-Hyacinthe\u2009:&nbsp;EXPRESSION, Centre d\u2019exposition de Saint-Hyacinthe, 1998, 6 p.<\/p>\n\n\n\n<p><em>Premi\u00e8re. Dix artistes\u2026 la terre<\/em>, Montr\u00e9al\u2009: Centre d\u2019exposition Circa, 1988, 24 p.<\/p>\n\n\n\n<p>Roberts, Ann.&nbsp;<em>Containment: the space within, an exhibition of clay and glass art at the Canadian Clay and Glass Gallery<\/em>, Waterloo (Ontario)\u2009: Waterloo Printing Company, 1994, p. 24.<\/p>\n\n\n\n<p>Rosshandler, Leo.&nbsp;<em>Terre et trame\u2009: c\u00e9ramistes et lissiers du Qu\u00e9bec<\/em>, Montr\u00e9al\u2009: Lavalin, 1981, p. 21.<\/p>\n\n\n\n<p>Royer, Sylvie.&nbsp;<em>Objets de cultures\u2009: de la Nouvelle-France \u00e0 aujourd\u2019hui<\/em>, Qu\u00e9bec\u2009: Centre&nbsp;materia, \u00c9ditions Nota Bene, 2008, 60 p.<\/p>\n\n\n\n<p>Royer, Sylvie.&nbsp;<em>Passeurs de m\u00e9moire<\/em>, Qu\u00e9bec\u2009: Maison des m\u00e9tiers d\u2019art de Qu\u00e9bec, 2005, p. 24-27.<\/p>\n\n\n\n<p><em>SOFA Chicago<\/em>, Chicago (Illinois)\u2009: Expressions of Culture, 2002, p. 236.<\/p>\n\n\n\n<p>Universit\u00e9 de Montr\u00e9al.&nbsp;<em>Les \u0153uvres publiques de l\u2019Universit\u00e9 de Montr\u00e9al<\/em>, Montr\u00e9al\u2009: Universit\u00e9 de Montr\u00e9al, 2012.<\/p>\n\n\n\n<p><em>V Bienal Barro de Am\u00e9rica<\/em>, Maracaibo (Venezuela)\u2009: Centro de Arte de Maracaibo L\u00eda Berm\u00fadez, 2005, p. 3.<\/p>\n\n\n\n<p>Ville de Montr\u00e9al, arrondissements Ahuntsic-Cartierville, C\u00f4te-des-Neiges et Rivi\u00e8re-des-Prairies\u2013Pointe-aux-Trembles.&nbsp;<em>Objets secrets de l\u2019atelier,<\/em>&nbsp;Robert Dufour\u2009: commissaire. Montr\u00e9al\u2009: Ville de Montr\u00e9al, 2010, p. 14.<\/p>\n\n\n\n<p>Ville de Saint-Hyacinthe.&nbsp;<em>Calendrier Saint-Hyacinthe et l\u2019art public<\/em>, Saint-Hyacinthe\u2009: Ville de Saint-Hyacinthe, 2011.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"articles-selection\">Articles (selection)<\/h3>\n\n\n\n<p>Asselin, Hedwidge. \u00ab\u2009La premi\u00e8re biennale nationale de c\u00e9ramique\u2009\u00bb,&nbsp;<em>Le Devoir<\/em>, 11 ao\u00fbt 1984, p. 21.<\/p>\n\n\n\n<p>Bernatchez, Raymond. \u00ab\u2009Les mosa\u00efques murales du c\u00e9ramiste Gilbert Poissant\u2009\u00bb,&nbsp;<em>La Presse<\/em>, 28 novembre 1992.<\/p>\n\n\n\n<p>Beaudet, Pascale. \u00ab\u2009Gilbert Poissant, l\u2019artiste comme collectionneur\u2009\u00bb,&nbsp;<em>Espace sculpture<\/em>, no 85, 2008, p. 27-29.<\/p>\n\n\n\n<p>Brosseau, C\u00e9cile. \u00ab\u2009Gilbert Poissant\u2009: prix Jean-Marie Gauvreau-Molson 81\u2009\u00bb,&nbsp;<em>La Presse<\/em>, 18 d\u00e9cembre 1981, p. C-1.<\/p>\n\n\n\n<p>Crevier, Lyne. \u00ab\u2009Mati\u00e8re \u00e0 r\u00e9flexion au Vieux-Palais de Saint-J\u00e9r\u00f4me\u2009\u00bb,&nbsp;<em>Le Devoir<\/em>, 28 juillet 1989.<\/p>\n\n\n\n<p>Cron, Marie-Mich\u00e8le. \u00ab\u2009Comme la photographie des plus risibles amours\u2009\u00bb,&nbsp;<em>Le Devoir<\/em>, 12 d\u00e9cembre 1992.<\/p>\n\n\n\n<p>Cron, Marie-Mich\u00e8le. \u00ab\u2009Gilbert Poissant, c\u00e9ramique contemporaine et arch\u00e9ologie du sensible\u2009\u00bb,&nbsp;<em>Espace sculpture<\/em>, vol. 7, no 3,<br>1991, p. 48-50.<\/p>\n\n\n\n<p>De Julio-Paquin, Jean. \u00ab\u2009Art public et int\u00e9gration de l\u2019art \u00e0 l\u2019architecture. Une revue de l\u2019ann\u00e9e 2009\u2009\u00bb,&nbsp;<em>Formes<\/em>&nbsp;(Montr\u00e9al),<br>vol. 6, no 1, 2010, p. 40-41.<\/p>\n\n\n\n<p>\u00ab\u2009De l\u2019art pour tous \u00e0 l\u2019udem\u2009\u00bb,&nbsp;<em>Le Devoir<\/em>, 17 octobre 2010, p. C-9.<\/p>\n\n\n\n<p>Delgado, J\u00e9r\u00f4me. \u00ab\u2009Une rentr\u00e9e sous le signe de l\u2019art\u2009\u00bb,&nbsp;<em>Le Devoir<\/em>, 7 janvier 2011, p. B-1.<\/p>\n\n\n\n<p>\u00c9pivent, Jean-Luc. \u00ab\u2009Paris \u2013 Gilbert poissant \u2013 Un r\u00eave \u00e9tranger \u00e0 la morsure du temps\u2009\u00bb,&nbsp;<em>Vie des Arts<\/em>, septembre-octobre-novembre 1983.<\/p>\n\n\n\n<p>Fisette, Serge. \u00ab\u2009Gilbert Poissant, fusionner l\u2019\u00e9pars\u2009\u00bb,&nbsp;<em>Espace sculpture<\/em>, no 23, 1993, p. 30-33.<\/p>\n\n\n\n<p>Gaudet, Eliane. \u00ab\u2009Le Qu\u00e9bec en 3D, de Paris \u00e0 Gatineau\u2009: vingt sculptures qu\u00e9b\u00e9coises contemporaines\u2009\u00bb,&nbsp;<em>Le Droit<\/em>&nbsp;(Ottawa), 10 juillet 1988.<\/p>\n\n\n\n<p>\u00ab\u2009Gilbert Poissant\u2009\u00bb,&nbsp;<em>CC Journal<\/em>&nbsp;(Ceramic Canada, Aurora, Ontario), 1984, p. 23.<\/p>\n\n\n\n<p>\u00ab\u2009Gilbert Poissant honor\u00e9 par le&nbsp;calq\u2009\u00bb,<em>&nbsp;La Presse<\/em>, 13 d\u00e9cembre 2013.<\/p>\n\n\n\n<p>\u00ab\u2009Gilbert Poissant re\u00e7oit la premi\u00e8re bourse de carri\u00e8re du&nbsp;calq&nbsp;en m\u00e9tiers d\u2019art\u2009\u00bb,&nbsp;<em>L\u2019\u0153il r\u00e9gional<\/em>&nbsp;(Beloeil), 18 d\u00e9cembre 2013.<\/p>\n\n\n\n<p>Gironnay, Sophie. \u00ab\u2009L\u2019art d\u2019int\u00e9gration\u2009: les enfants d\u2019abord\u2009\u00bb,&nbsp;<em>La Presse<\/em>, 11 d\u00e9cembre 2001.<\/p>\n\n\n\n<p>Gogarty, Amy. \u00ab\u2009Quarante ans de pratique. Une entrevue avec Gilbert Poissant\u2009\u00bb,&nbsp;<em>Cahiers m\u00e9tiers d\u2019art<\/em>, vol. 7, no 2, hiver 2015.<\/p>\n\n\n\n<p>Gravel, Claire. \u00ab\u2009Laporte, Poissant, Saint-Pierre et Payette. Une symbolique abstraite\u2009\u00bb,&nbsp;<em>Le Devoir<\/em>, 26 novembre 1988, p. C-12.<\/p>\n\n\n\n<p>Gravel, Claire. \u00ab\u2009La sculpture contemporaine \u00e0 l\u2019\u00e2ge du fer\u2009\u00bb,&nbsp;<em>Le Devoir<\/em>, 14 novembre 1987, p. C-9.<\/p>\n\n\n\n<p>Gravel, Claire. \u00ab\u2009Nos choix Arts visuels\u2009\u00bb,&nbsp;<em>Le Devoir<\/em>, 18 novembre 1988, p. 15.<\/p>\n\n\n\n<p>Gustafson, Paula. \u00ab\u2009Ceramics exhibit was lost in shuffle\u2009\u00bb,&nbsp;<em>Calgary Herald<\/em>, 3 mars 1988.<\/p>\n\n\n\n<p>Laberge, Yvon. \u00ab\u2009Quatre nouvelles stations de m\u00e9tro ouvrent leurs portes\u2009\u00bb,&nbsp;<em>La Presse<\/em>, 3 janvier 1988, p. B-1.<\/p>\n\n\n\n<p>Leblond, Jean-Claude. \u00ab\u2009La c\u00e9ramique \u00e0 l\u2019assaut de l\u2019art contemporain\u2009\u00bb,&nbsp;<em>Vie des Arts<\/em>, vol. 34, no 135, 1989, p. 19-23.<\/p>\n\n\n\n<p>Le Grand, Jean-Pierre. \u00ab\u2009Le m\u00e9tro \u00e0 la vitesse de la lumi\u00e8re\u2009\u00bb,&nbsp;<em>Vie des Arts<\/em>, vol. 33, no 132, automne 1988, p. 44-47.<\/p>\n\n\n\n<p>Lepage, Jocelyne. \u00ab\u2009Le m\u00e9tro vu comme un mus\u00e9e\u2009\u00bb,&nbsp;<em>La Presse<\/em>, 7 f\u00e9vrier 1988, p. C-1.<\/p>\n\n\n\n<p>Lepage, Jocelyne. \u00ab\u2009Un hommage \u00e0 la c\u00e9ramique\u2009\u00bb,&nbsp;<em>La Presse<\/em>, 26 juillet 2008, p. 15.<\/p>\n\n\n\n<p>Masters, Peter. \u00ab\u2009Fired Imagination \u201988: A Canadian Australian Exchange\u2009\u00bb,&nbsp;<em>Pottery in Australia<\/em>, d\u00e9cembre 1988, p. 72-74.<\/p>\n\n\n\n<p>\u00ab\u2009M\u00e9tiers d\u2019art\u2009: une bourse pour Gilbert Poissant\u2009\u00bb,&nbsp;<em>Le Devoir<\/em>, 14 et 15 d\u00e9cembre 2013.<\/p>\n\n\n\n<p>Paul, Francine. \u00ab\u20095 Fois 2 Temps, Gilbert Poissant: Contrasts of Earth\u2009\u00bb,&nbsp;<em>Ceramics: Art and Perception<\/em>&nbsp;(Sydney), no 46, 2001, p. 57-59.<\/p>\n\n\n\n<p>Picard, Mich\u00e8le. \u00ab\u2009L\u2019art de la vie quotidienne\u2009\u00bb,&nbsp;<em>Le Devoir<\/em>, 24 et 25 novembre 2001, p. C-11.<\/p>\n\n\n\n<p>\u00ab\u2009Qui s\u00e8me l\u2019art\u2009\u00bb,&nbsp;<em>Voir Qu\u00e9bec<\/em>, 2 septembre 2010.<\/p>\n\n\n\n<p>Rheault-Boiss\u00e9, Pascal-Andr\u00e9e. \u00ab\u2009Gilbert Poissant, c\u00e9ramiste qu\u00e9b\u00e9cois\u2009\u00bb,&nbsp;<em>Artisan<\/em>&nbsp;(Conseil canadien de l\u2019artisanat, Ottawa), 1982, p. 16-17.<\/p>\n\n\n\n<p>Rheault-Boiss\u00e9, Pascal-Andr\u00e9e. \u00ab\u2009Profile of a c\u00e9ramiste qu\u00e9b\u00e9cois: Gilbert Poissant\u2009\u00bb,&nbsp;<em>Artisan<\/em>&nbsp;(Canadian Crafts Council, Ottawa), 1983, p. 16-17.<\/p>\n\n\n\n<p>Vrbanac, Bob. \u00ab\u2009The Perfect Circle\u2009\u00bb,&nbsp;<em>Waterloo Chronicle<\/em>, 1er juillet 2009, p. 20.<\/p>\n\n\n\n<p>White, Marianne. \u00ab\u2009Terre et feu\u2009\u00bb,&nbsp;<em>Le Soleil<\/em>, 19 f\u00e9vrier 2005.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"films-et-videos\">Films and videos<\/h3>\n\n\n\n<p>Boisvert, Alain (r\u00e9alisation).&nbsp;<em>Gilbert Poissant\u2009, Mon atlas, <\/em>court m\u00e9trage documentaire, 20 minutes.<\/p>\n\n\n\n<p>Boisvert, Alain (r\u00e9alisation).&nbsp;<em>Gilbert Poissant\u2009: Le jeu du collectionneur<\/em>, capsule vid\u00e9o, 6 minutes, avec la collaboration du&nbsp;Conseil mont\u00e9r\u00e9gien de la culture et des communications (cmcc) et de la Soci\u00e9t\u00e9 de d\u00e9veloppement des entreprises culturelles (Sodec), 2013. S\u00e9lection officielle, Festival international du film sur l\u2019art (fifa) 2015.<\/p>\n\n\n\n<p>Guy, Suzanne (conception et r\u00e9alisation).&nbsp;<em>Vu par hasard<\/em>, \u00e9mission sur l\u2019art public,&nbsp;artv, 2011.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"sur-internet-sites-consultes-le-20-juillet-2016\">On the Web (as of July 20, 2016)<\/h3>\n\n\n\n<p><em>Art pour tous\u2009: les \u0153uvres publiques de l\u2019Universit\u00e9 de Montr\u00e9al s\u2019exposent<\/em>&nbsp;(pages avec vid\u00e9os et commentaires audio),&nbsp;Montr\u00e9al\u2009: Centre d\u2019exposition de l\u2019Universit\u00e9 de Montr\u00e9al,<br><a href=\"http:\/\/www.artpourtous.umontreal.ca\/voir\/artistes\/gilbert-poissant\/index.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.artpourtous.umontreal.ca\/voir\/artistes\/gilbert-poissant\/index.html<\/a><\/p>\n\n\n\n<p>Beaudet, Pascale.&nbsp;<em>Gilbert Poissant\u2009: Le jeu du collectionneur<\/em>, Montr\u00e9al\u2009:&nbsp;circa&nbsp;art actuel,&nbsp;<br><a href=\"http:\/\/www.circa-art.com\/Historique.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.circa-art.com\/Historique.html<\/a><\/p>\n\n\n\n<p>cafka&nbsp;Contemporary Art Forum Kitchener + Area. \u00ab\u200923. Gilbert Poissant \u2013 Variations on Discs, Spirals and Xuanjis\u2009\u00bb,&nbsp;<em>CAFKA.09: Veracity<\/em>,<br><a href=\"http:\/\/www.cafka.org\/cafka09\/gilbert-poissant\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.cafka.org\/cafka09\/gilbert-poissant<\/a><\/p>\n\n\n\n<p>\u00ab\u2009CALQ Mont\u00e9r\u00e9gie\u2009: Gilbert Poissant re\u00e7oit le prix \u00e0 la cr\u00e9ation artistique\u2009\u00bb,&nbsp;<em>Journal Mobiles<\/em>, 22 mars 2013,&nbsp;<br><a href=\"http:\/\/journalmobiles.com\/culture\/gilbert-poissant-recoit-le-prix-a-la-creation-artistique\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/journalmobiles.com\/culture\/gilbert-poissant-recoit-le-prix-a-la-creation-artistique<\/a><\/p>\n\n\n\n<p>Conseil des arts et des lettres du Qu\u00e9bec.&nbsp;<em>Hommage aux laur\u00e9ats des bourses de carri\u00e8re\u2009: Gilbert Poissant<\/em>,<br><a href=\"http:\/\/sparklingcouncil.com\/bcarriere\/2013\/bcarriere2013poissant.htm\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/sparklingcouncil.com\/bcarriere\/2013\/bcarriere2013poissant.htm<\/a><\/p>\n\n\n\n<p><em>Expositions \u00e0 Plein sud\u2009: Gilbert Poissant,<\/em>&nbsp;Longueuil\u2009: Plein sud, centre d\u2019exposition en art actuel \u00e0 Longueuil,&nbsp;<br><a href=\"http:\/\/www.plein-sud.org\/Gilbert-Poissant.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.plein-sud.org\/Gilbert-Poissant.html<\/a><\/p>\n\n\n\n<p>\u00ab\u2009Gilbert Poissant\u2009\u00bb,&nbsp;<em>Wikip\u00e9dia, l&rsquo;encyclop\u00e9die libre<\/em>, Wikimedia Foundation, Inc.,&nbsp;<br><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Gilbert_Poissant\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/fr.wikipedia.org\/wiki\/Gilbert_Poissant<\/a><\/p>\n\n\n\n<p><em>Gilbert Poissant \u2013 Variations on Discs, Spirals and Xuanjis<\/em>, Waterloo (Ontario)\u2009: The Canadian Clay and Glass Gallery,<br><a href=\"http:\/\/www.theclayandglass.ca\/wp-content\/uploads\/2011\/04\/Gilbert_Poissant_June28-Oct42009.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.theclayandglass.ca\/wp-content\/uploads\/2011\/04\/Gilbert_Poissant_June28-Oct42009.pdf<\/a>, 3 p.<\/p>\n\n\n\n<p><em>Musing About Mud [blogue]. Artist Talk \u2013 Gilbert Poissant<\/em>, Saskatoon (Saskatchewan)\u2009: Musing about mud,<br><a href=\"http:\/\/musingaboutmud.blogspot.ca\/2009\/06\/artist-talk-gilbert-poissant.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/musingaboutmud.blogspot.ca\/2009\/06\/artist-talk-gilbert-poissant.html<\/a><\/p>\n\n\n\n<p><em>nwcf<\/em>&nbsp;North-West Ceramics Foundation, \u00ab\u2009Gilbert Poissant\u2009: Forty years of practice, from Object to Mural\u2009\u00bb, Speaker Series,<br><a href=\"http:\/\/www.nwcf.ca\/gilbert_poissant.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.nwcf.ca\/gilbert_poissant.html<\/a><\/p>\n\n\n\n<p>Pelletier, Denise. \u00ab\u2009Gilbert Poissant. Des \u0153uvres fa\u00e7onn\u00e9es par le temps\u2009\u00bb,&nbsp;<em>Arts visuels Saguenay<\/em>&nbsp;(blogue), mai 1999,&nbsp;<br><a href=\"http:\/\/artsvisuelssaguenay.blogspot.ca\/1999\/05\/gilbert-poissant.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/artsvisuelssaguenay.blogspot.ca\/1999\/05\/gilbert-poissant.html<\/a><\/p>\n\n\n\n<p>Radio-Canada, \u00ab\u2009L\u2019art dans le m\u00e9tro\u2009: les lignes bleue et jaune\u2009\u00bb,&nbsp;<em>ICI Radio-Canada.ca<\/em>, 13 septembre 2012,<br><a href=\"http:\/\/ici.radio-canada.ca\/nouvelles\/arts_et_spectacles\/2012\/09\/13\/011-art-metro-bleuejaune.shtml\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/ici.radio-canada.ca\/nouvelles\/arts_et_spectacles\/2012\/09\/13\/011-art-metro-bleuejaune.shtml<\/a><\/p>\n\n\n\n<p>Soci\u00e9t\u00e9 de transport de Montr\u00e9al.<em>&nbsp;L\u2019art dans le m\u00e9tro\u2009: Outremont (Gilbert Poissant)<\/em>, STM,<br><a href=\"http:\/\/www.stm.info\/fr\/a-propos\/decouvrez-la-stm-et-son-histoire\/lart-dans-le-metro\/liste-des-oeuvres\/station-outremont\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.stm.info\/fr\/a-propos\/decouvrez-la-stm-et-son-histoire\/lart-dans-le-metro\/liste-des-oeuvres\/station-outremont<\/a><\/p>\n\n\n\n<p>\u00ab\u2009Une \u0153uvre de Gilbert Poissant au&nbsp;CLSC des Patriotes\u2009\u00bb,&nbsp;<em>Portail Sant\u00e9 Mont\u00e9r\u00e9gie<\/em>,&nbsp;<br><a rel=\"noreferrer noopener\" href=\"http:\/\/www.santemonteregie.qc.ca\/userfiles\/file\/richelieu-yamaska\/Communiqu%C3%A9_oeuvre%20d'art%20Poissant.pdf\" target=\"_blank\">http:\/\/www.santemonteregie.qc.ca\/userfiles\/file\/richelieu-yamaska\/Communiqu\u00e9_oeuvre%20d&rsquo;art%20Poissant.pdf<\/a><\/p>\n\n\n\n<p>Ville de Salaberry-de-Valleyfield. \u00ab\u2009Une biblioth\u00e8que unique au Qu\u00e9bec\u2009!\u2009\u00bb,&nbsp;<em>Salaberry-de-Valleyfield, capitale r\u00e9gionale du Suro\u00eet<\/em>,&nbsp;<br><a rel=\"noreferrer noopener\" href=\"http:\/\/www.ville.valleyfield.qc.ca\/citoyens\/culture-sport-loisirs\/culture\/bibliotheque\/une-bibliotheque-unique-au-quebec\" target=\"_blank\">http:\/\/www.ville.valleyfield.qc.ca\/citoyens\/culture-sport-loisirs\/culture\/bibliotheque\/une-bibliotheque-unique-au-quebec<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"videos\">Videos<\/h3>\n\n\n\n<p class=\"translation-block\">Video showing the development of <em>Le Jeu du Collectionneur<\/em> installation.<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"360\" style=\"aspect-ratio: 640 \/ 360;\" width=\"640\" controls src=\"https:\/\/gilbertpoissant.com\/wp-content\/uploads\/2021\/11\/LeJeu.mp4\"><\/video><\/figure>","protected":false},"excerpt":{"rendered":"<p>Gilbert Poissant est le laur\u00e9at de la premi\u00e8re bourse de carri\u00e8re en m\u00e9tiers d\u2019art du Conseil des arts et des lettres du Qu\u00e9bec. L&rsquo;une de ses \u0153uvres est accroch\u00e9e en permanence dans la salle des arts d\u00e9coratifs du Mus\u00e9e national des beaux-arts du Qu\u00e9bec et ses \u0153uvres se retrouvent dans les collections des grands mus\u00e9es [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"page.php","meta":{"footnotes":""},"class_list":["post-13","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gilbertpoissant.com\/en\/wp-json\/wp\/v2\/pages\/13","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gilbertpoissant.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gilbertpoissant.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gilbertpoissant.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gilbertpoissant.com\/en\/wp-json\/wp\/v2\/comments?post=13"}],"version-history":[{"count":38,"href":"https:\/\/gilbertpoissant.com\/en\/wp-json\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":9515,"href":"https:\/\/gilbertpoissant.com\/en\/wp-json\/wp\/v2\/pages\/13\/revisions\/9515"}],"wp:attachment":[{"href":"https:\/\/gilbertpoissant.com\/en\/wp-json\/wp\/v2\/media?parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}